Walking Sticks walking sticks Antique Canes
The following are reprints of
Interviews with Liela Nelson
Click on an Article Title to go Straight to it.
The Good Life
Hotel Belair Magazine
by William Tomicki
"A fascinating look into the history of canes"
A Leg Up On Canes
The Wall Street Journal
by Valerie Gladstone - August 7, 1998
"More insight into the world of collectable walking sticks"
New Jersey woman Turns her passion into a business & Citizen Cane
Bergen Record & The Sunday Record
by Judy Jeannin - August 3, 1998 & June 28, 1998
"How Liela Nelson got started"

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New Jersey woman found her passion into a business
by Judy Jeannin - Bergen Record (New Jersey) - August 3, 1998
 
The last time walking sticks were popular, Fred was dancing with Ginger and movies were filmed in black and white.
Back then, a walking stick was as much a part of a stylish outfit as a bowler hat and a pair of spats.
So why are people in the high-tech '90s paying hundreds, even thousands, of dollars for a piece of fashion history?
Because they've become a hot collectible, says Liela Nelson of Englewood Cliffs, N.J. There are two auctions every year on the East Coast and two on the West Coast devoted solely to walking sticks, explains Nelson.
A one-of-a-kind folk-art stick might fetch more than $200,000.
Nelson, along with husband Bernard, operates a little firm called "The World of the Walking Stick" through which she sells artfully crafted sticks to a clientele ranging from serious collectors to aging businessmen in need of a bit of ambulatory assistance.
While most of her walking are antiques, some are new, the products of the few remaining English firms that fashion sticks from sterling silver and ebony.
Like many of her clients, Nelson stumbled onto walking sticks while searching for another type of collectible - in her case, carved ivory. (Many antique walking sticks have elaborately carved ivory handles.)
Passion became business
It was love at first sight, and her husband suggested turning her new passion into a business.
On average, Nelson stocks between 100 and 150 sticks, ranging from pricey antiques like the Faberge stick that she sold for $17,000 to a sterling-silver lion-head stick crafted in England that  might fetch several hundred dollars.
For a woman with a master's degree in decorative arts from New York University, it is the perfect niche.
Nelson can travel to Europe in search of stock, surround herself with elegantly crafted items, and indulge in research to her hearts content
Ancient heritage
Walking sticks have existed in one form or another since the first homo sapiens picked up a branch to help himself over rough terrain, Nelson says.
King Louis XIV of France carried ornate, jeweled walking sticks and restricted their use only to the aristocracy.
"He didn't want his subjects carrying sticks in his presence," says Nelson. "It was his symbol of power."
The dandies of post-revolutionary France were often pictured with walking sticks, as were many of the gentlemen of the 18th and 19th centuries.
"The 19th century was the hey-day of the walking stick both here and in Europe," says Nelson.
"They were a status symbol because it was one way you could judge how much money a man had".
'Tiffany made them, as did all the important porcelain houses. Faberge made sticks from quartz and jade." Nelson says. "Some had diamond eyes, and artisans used enamel for collars. They were quite beautiful."
Walking sticks were also crafted by folk artists and by seamen, who carved scrimshaw canes from whalebone.
A folk-art stick owned by P.T. Barnum recently sold for $250,000.
Used for hiding things
Some walking sticks performed dual functions, serving as flasks or as a place to hide cameras, swords, guns, or umbrellas.
Jascha Heifitz had a violin stick he frequently took out at concerts.
There are highly valued presidential sticks, with knobs carved to resemble various heads of state.
Some are carved with the likenesses of founding fathers such as Thomas Jefferson and Benjamin Franklin.
The abundance of presidential sticks leads Nelson to theorize that they may have been passed out to the public like modern-day campaign buttons.
Modest prices unusual
These days, it is difficult to turn up a really fine stick at a modest price.
"It is much harder to find a fabulous, fabulous find," says Nelson, who once counted fashion designer Ralph Lauren among her clients.
As some of the original collectors die, however, their collections will resurface in the marketplace sooner or later.
"You can always get wonderful sticks, it is just more difficult and more expensive."
Which means that, when Nelson gets a call, from someone looking for a handsome alternative to the standard cane, the prospective buyer will usually suffer from sticker shock.
A new, decorative sterling-silver stick costs between $250 and $500.
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A Leg Up On Canes
by Valerie Gladstone - The Wall Street Journal - August 7, 1998
 
FORGET FUNCTION: Canes are for collecting.
Just ask Bill McCullam, a New York marketing consultant who has bought 20 worth an estimated $25,000. Think of the phrase, "Thy rod and thy staff shall comfort me," he says.
"King Tutankhamen, Henry III, Louis XIII, Napoleon, Frederick the Great, President Washington and my dad collected canes. Now I'm addicted."
But cane collecting is no cheap endeavor. Prices start at $200 and reach tens of thousands of dollars. "The most expensive sell best," says Bill Rau, owner of Rau Antiques in new Orleans, whose collection includes a $15,000 cane made in Russia in 1900 by the illustrious designer Carl Faberge. Mr. Rau sells about $1 million worth of canes each year. His biggest sale last year was an 1875 French cane encrusted with gold and diamonds; it went to a Texas oilman for $60,000.
The Rau catalog advertises 200 canes, most made in the U.S. and Europe in the 18th and 19th centuries.
Two other major American dealers, Leila Nelson at the World of Walking Sticks in Englewood Cliffs, N.J., and Henry and Nancy Taron at Tradewinds Antiques & Auctions in Manchester-by-the-Sea, Mass., also carry a large variety of canes. Antique stores are another good source.
For Mr. McCullam, cane collecting is as much a fashion statement as a hobby. Following a custom popular in the U.S. and Europe from 1820 until World War I, he "wears" (the term preferred by collectors) a $1,400, 1890s-era, gold-headed cane with an ebony shaft to dinner parties.
"Men, women and children wore them," he says. "Anyone who called himself a gentleman owned at least three; an evening cane, a country or day cane and a system cane."
System canes hide something inside or convert into other objects like seats, music stands and hammers. Leaning protectively over his collection, Mr. McCullam proudly displays one such device; a "friendship cane" that features a long, slender cylinder inside the shaft for storing liquor and two silver shot glasses in the knob.
More than 1,500 patents were issued for system canes during their heyday from 1870 to 1915. The Rau catalog includes ones with telescopes, fans, perfume bottles, opium holders, bordello whips, trumpets and backgammon sets. One photograph in the catalogue shows "La Diabolique," "La Terrible" and "The Redoutable," which sell for between $3,500 and $4,000. Made with retractable razors and spikes, these canes came into use during the French uprisings of the 1870s.
Richard Velaj, a neuroradiologist in Greenwich, Conn., says the cane's romantic aura prompted him to amass a collection worth close to $15,000. "I take the one with binoculars to the opera," he says. "It makes my evening much more dramatic. I lean on it and gaze around discreetly. I feel just like Daniel Day-Lewis in "The Age of Innocence."back to top
The Good Life
by William Tomicki - Hotel Belair Magazine
 
Walking Sticks - Oscar Wilde 'wore" one; so did the Marquis de Lafayeete and George Washington; George Bernard Shaw had several; Prince Albert was never without his; and Queen Victoria had an impressive collection.
We're talking about walking sticks, that fashion essential of royals, Edwardians and Victorians, symbols of authority in the 17th century, and today a very hot collectible.
Ancient man's first cane was a tree branch, used to stabilize himself while walking and climbing and also to defend himself. Since then, walking sticks have been used for both decoration and practicality almost continually throughout history. Through the ages, canes represented many different symbols of power, faith, and magic until their evolution into a fashion accessory in the 16th century. During the height of the 18th and 19th centuries, the style of canes was shaped by changing social and economic conditions. To study these talismans is to gain an insight into the cultures and societies that valued them.
The word "cane" comes from ancient times when the shafts of most canes were constructed of bamboo and other rattans of the cane family. Cane became the mostly widely used material to make walking sticks, evolving later into the generic name for the product.
In ancient Egypt everyone from royalty to peasants used a cane. These ancient sticks and staffs, now displayed in museums worldwide, were often carved and decorated elaborately. Their shape and form dictated whether the owner was a shepherd, soldier, dignitary, priest, Pharaoh, or even a god. It was thought that a walking stick placed next to the mummy in a coffin would help the deceased on his travels after death and resurrection. These walking sticks were also used to identify the status of the deceased within their society for afterlife identification. King Tutankhamen had no less than 132 sticks buried with him.
It was during the 16th century that the walking stick was widely accepted an an accessory of elegance and social prominence among the aristocracy. Special etiquette dictated the use of the cane during this period and walking sticks were not allowed in the presence of the king.
In Europe, a king's power came to be symbolized by the scepter carried in the right hand, while a second staff known as the "Hand of Justice" was carried in the left. These were shown in public to demonstrate their readiness to punish and their power to reward.
King Henry VII of England carried a multi-purpose cane finished in gold which contained a perfume dispenser in the top, a pair of tweezers, two compasses of gold, a footrule of gold, a knife and a file, and a "haft" of gold.
In the 18th century, when France dominated the decorative arts, the walking stick was a requisite of the fashionable dress. Louis XIV was never seen in public without his cane, and his court jeweler actually fashioned one stick for him with twenty-four diamonds.
When King Louis XIV died in 1715, a new style began to emerge as the grandeur of the Baroque softened into a more feminine style, called Rococo. Rococo showed a true spirit of independence, including a newfound willingness to mix curvilinear and asymmetrical forms. The canes typical of this era depicted nature, replete with flora and fauna.
By the middle of the 18th century, the Rococo style was beginning to cause a strong reaction by critics who thought this style too extravagant. The critics demanded a return to a noble, more sober Classicism. The classical notions of order, restraint, and balance gradually took the place of the carefree flamboyancy of the Rococo style. Walking sticks became more stable and simple with emphasis on the calm, steady line.
In America, the pure and modest appearance of canes reflected the conservatism that Americans embraced following the outbreak of the American Revolution. National pride caused the eagle to remain extremely popular on the walking stick through the mid-19th century. The custom of presenting sticks was a mark of individual esteem and admiration. General Washington received one of Benjamin Franklin's canes constructed of crab-tree wood with a gold head in the form of a cap of liberty. The bust cane became a popular item among the elite and sticks proliferated topped with heads of presidents and rulers.
Victorian walking sticks were a part of the "correct" attire of the elegantly dressed gentleman, who would change a cane as often as they changed their clothes. By the late 19th century, the Victorian influence had spread to the United States, finding the fashionable American gentleman in possession of several canes for different occasions and social events. These walking sticks typically had simple gold or silver mushroom handles and were rather mundane in appearance.
Shops specializing in walking sticks began to flourish as canes were designed by such world renowned artists as Tiffany in America, Faberge in Russia, Thomas Brigg & Sons of England, Magasin Antoine of Paris, and the Meyers family in Hamburg and Berlin.
In Victorian England, there were some 60 shops devoted to canes in London; today there is but one. Michael German and Dominic Strickland operate a lilliputian store at 38B Kensington Church Street, in the West End, telephone 0171-937-1776, where they offer for sale a superb collection of over 5000 canes starting at $180. "Time was you were undressed without a cane," says Mr. Strickland. "Canes were the first fashion accessory."
During the 20th century the cane lost its popularity among the well-dressed, and came to be used by those whose age and health required them or by hikers and climbers.
The walking stick is today enjoying a resurgence among collectors who cherish their unique design and history. The modern collector will find several different types of canes to choose from. Canes fall into four different categories: ethnic, folk art, decorative, and gadget, or system, sticks.
Ethnic sticks are canes that reflect, through their design or ornamentation, the culture of a group or a particular race or religion.
Folk art sticks came out of a desire for self-expression. These canes were made mostly from the materials which could be easily obtained in an artist's natural environment. Woodworkers decorated their wooden sticks with intricate hand carvings. During the great age of whaling in the 19th century, scrimshaw canes were fashioned by American sailors who spent their long hours at sea constructing sticks made of baleen, whalebone vertebrae, and ivory from the teeth of marine mammals. If a glass blower had left-over raw materials at the end of his work day, he would challenge himself by making a cane made entirely of glass. Though beautiful and decorative ornaments, these glass canes were rarely used due to their fragility.
Decorative sticks were frequently made from malacca, the flexible, lightweight stem of the East Indian rattan plant. Topping these artistic staffs were an assortment of different handles including examples made of gold, silver, porcelain, cloisonné', wood and ivory.
A gadget stick is called a "secret stick" when it has a place in which to hide or store something. System sticks serve a dual purpose, for example, they hold a weapon, or provide a device such as a rule, telescope or a seat, even a violin! Sometimes they represent the rank, function, or profession of the owner. Napoleonic France introduced the vogue of the short, blunt-headed stick which was used as a receptacle for documents, letters, secret dispatches, and favors.
Here's the best news about canes: one can start a collection easily and relatively inexpensively. Liela Nelson runs The World of the Walking Stick in Englewood Cliffs, New Jersey. Her collection of 150-200 sticks for sale is one of the best in this country and runs the gamut from erotic and decorative canes with faces, flowers, and animals to weapon sticks with swords, guns, and compartments for poison. She even has system sticks that do clever things like take a picture or hold brandy.
Mrs. Nelson has been a respected dealer for six years and scours the world for beautiful and arcane canes, selling them at prices starting at $200 to over $17,000, for, say a Faberge-headed cane. And that's peanuts compared to the cane that P.T. Barnum once carried that recently was sold at auction for over $125,000!back to top
For questions regarding the collection, please contact:
Liela@WalkingStickWorld.com
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